Who keeps track of all those props in Shrek?

From a spraying skunk to a buck with horns that are torn off by Fiona, the prop masters for the Patel Conservatory’s production of Shrek the Musical have certainly had their work cut out for them. The many little details that went into this show have helped make it such a huge success.

Avery Coonts, a summer theater intern, shares his experience working on the show…

"As I pass the half-way mark in my internship here at the Patel Conservatory, I am amazed at the amount of work that has been done in such a short amount of time. It has been an awesome experience with all the challenges one might expect from the theater.

During this summer’s production of Shrek the Musical, fellow intern Collin and I took on the challenge of prop mastering the show. Although some of the props were rented from a local theater, most had to be built.

Some people may think the job of the prop master is generally easy, but it can become difficult when you have to match the design styles of the props that were rented. Every prop should have some cohesive sense. They must all look and feel as if they come from the same place and time.

Many hours were spent in the workshop creating rats, a stuffed goose, a fire, a big head and much more. Collin and I were also tasked with prepping dragon and creating the special effects for the puppet. A healthy amount of dry ice and CO2 were used to bring the big girl to life.

The big joke that has circulated around theater has been that prop masters put hours of work into a prop that is seen for maybe five seconds on stage. However, we do all this work for the audience and the performers involved in the production.

Overall this experience as one of the prop masters for Shrek has been amazing. I would really like to thank Suzanne Livesay, Brian Frey, Scott Daniel and Josh Young for their constant support of our work.”

Shrek the Musical continues through this weekend. For tickets, click here.